Art Basel Hong Kong: Booth #3D20

Hong Kong Convention & Exhibition Centre, March 26 – 30, 2025 
  • Booth #3D20
    Hong Kong Convention & Exhibition Centre
    1 Harbour Road
    Wan Chai
    Hong Kong, China

    Kasmin returns to Art Basel Hong Kong with a selection of works by Theodora Allen, Sara Anstis, Ali Banisadr, Lynne Drexler, Lyn Liu, Alexis Ralaivao, Mark Ryden, Emil Sands and Bosco Sodi alongside a focused selection of paintings by Robert Indiana.

    VIP Days (by invitation only):
    First Choice | Wednesday, March 26, 12 noon to 8pm
    First Choice and Preview | Wednesday, March 26, 3pm to 8pm
    First Choice and Preview | Thursday, March 27, 12 noon to 4pm
    First Choice and Preview | Friday, March 28, 12 noon to 2pm
    First Choice and Preview | Saturday, March 29, 12 noon to 2pm
    First Choice and Preview | Sunday, March 30, 11am to 12 noon

    Vernissage
    Thursday, March 27, 4pm to 8pm

    Public Days
    Friday, March 28, 2pm to 8pm 
    Saturday, March 29, 2pm to 8pm 
    Sunday, March 30, 12 noon to 6pm

    Request a Preview

  • Ali Banisadr Omen, 2025 66 x 88 inches 167.6 x 223.5 cm Featured in the presentation, a new painting by...
    Ali Banisadr
    Omen, 2025
    66 x 88 inches
    167.6 x 223.5 cm
     

    Featured in the presentation, a new painting by Ali Banisadr (b. 1976) will demonstrate the artist’s unique visual language that synthesizes centuries of art history, capturing instinctive brushwork, fragmented surface patterns, and allegorical symbols in exquisite detail. For nearly 20 years, Banisadr has drawn on his synaesthesia and the sounds and sights of his upbringing during the Iran-Iraq War to create sweeping compositions bridging the distance between chaos and composure. The fair immediately follows the opening of Ali Banisadr: The Alchemist at the Katonah Museum of Art, which marks the artist’s first major US museum survey and includes paintings, drawings, and prints from 2006 to the present alongside sculpture, a new direction for the artist, for the first time.

  • Mark Ryden The Sentinel (#177), 2024 oil on panel 10 x 13 inches 25.4 x 33 cm In Mark Ryden’s...
    Mark Ryden
    The Sentinel (#177), 2024
    oil on panel
    10 x 13 inches
    25.4 x 33 cm
     

    In Mark Ryden’s (b. 1963) new painting, a bumblebee confronts a watchful eye that guards a towering monolith. Over the last 30 years, Ryden has developed a visual universe in which spiritual entities guide the human and animal worlds. Uniquely engaging pop culture, archetype, and narrative mysticism, Ryden is recognized as a pioneer among the artists who steered a resurgence of Surrealism in the 21st century. The fair looks forward to Ryden’s upcoming exhibition at Kasmin, opening in September 2025 and marking his first New York exhibition in a decade.

  • Robert Indiana LOVE Wall, 1981 oil on canvas comprised of four panels 24 x 24 inches, overall 61 x 61...
    Robert Indiana
    LOVE Wall, 1981
    oil on canvas comprised of four panels
    24 x 24 inches, overall
    61 x 61 cm
  • Accompanying the group presentation is a focused selection of paintings by American artist Robert Indiana (1928–2018), which follows the opening of a major solo exhibition at the gallery in New York. Realized shortly after a 2002 retrospective in Shanghai, and related to paintings included in a major exhibition of Indiana’s work at Asia Society Hong Kong Center in 2018, Indiana’s ÀI paintings each depict the Chinese character for “love” in multiple colorways including the red and yellow colors of the Chinese flag and the artist’s iconic red, blue, and green combination. The Chinese version of Indiana’s signature LOVE image from the 1960s follows earlier translations in Hebrew (1977) and Spanish (1998), underscoring the artist’s commitment to making his work accessible in a global context. Indiana reprised the Chinese character in 2006, this time vertically stacking the word in sans-serif and calligraphic typefaces within the silhouette of a mirrored ginkgo leaf. These works will be complemented by Indiana’s painting LOVE Wall (1981), which mirrors the artist’s iconic image over four quadrants in the US national colors of red white and blue.

  • Robert Indiana AI (Chinese LOVE), 2002 oil on canvas 24 x 22 inches 61 x 55.9 cm
    Robert Indiana
    AI (Chinese LOVE), 2002
    oil on canvas
    24 x 22 inches
    61 x 55.9 cm
  • Robert Indiana ÀI (Chinese LOVE), 2002 oil on canvas 24 x 20 inches 61 x 50.8 cm
    Robert Indiana
    ÀI (Chinese LOVE), 2002
    oil on canvas
    24 x 20 inches
    61 x 50.8 cm
    • Robert Indiana, Ginkgo Ài (Red/Blue), 2006
      Robert Indiana, Ginkgo Ài (Red/Blue), 2006
    • Robert Indiana, Ginkgo ÀI (Purple/Orange), 2006
      Robert Indiana, Ginkgo ÀI (Purple/Orange), 2006
    • Robert Indiana, Ginkgo ÀI (Blue/Green), 2006
      Robert Indiana, Ginkgo ÀI (Blue/Green), 2006
  • Paintings by Bosco Sodi (b. 1970), including those recently featured at the He Art Museum in the artist’s largest solo exhibition in Asia to date, will be on display. Sodi uses raw, natural materials to create paintings whose final forms are dictated by the force of nature. He mixes organic pigments with sawdust, wood, pulp, natural fibers, and glue to create the dense surfaces of his monochrome paintings. As the layers of material dry, structures form without the guidance or intervention of the artist. Fissured “landscapes” emerge as a result of both the artist’s creative process and the unpredictable force of chance in nature.

  • Bosco Sodi Untitled, 2024 mixed media on canvas 47 1/4 x 47 1/4 inches 120 x 120 cm
    Bosco Sodi
    Untitled, 2024
    mixed media on canvas
    47 1/4 x 47 1/4 inches
    120 x 120 cm
  • Bosco Sodi Untitled, 2022 mixed media on wood panel 31 7/8 x 39 3/8 inches 81 x 100 cm
    Bosco Sodi
    Untitled, 2022
    mixed media on wood panel
    31 7/8 x 39 3/8 inches
    81 x 100 cm
  • Theodora Allen Shooting Star VI (Oak), 2025 oil on linen 78 x 36 inches 198.1 x 91.4 cm Theodora Allen...
    Theodora Allen
    Shooting Star VI (Oak), 2025
    oil on linen
    78 x 36 inches
    198.1 x 91.4 cm
     

    Theodora Allen (b. 1985) reprises the motif of the shooting star in a new large-scale painting, in which a descending flame burns as it enters Earth's atmosphere. At the heart of the flame, a hand holds the stem of an oak leaf within the faint delineation of a diamond. Allen meticulously applies and removes thin layers of paint to reveal flecks of the canvas weave, resulting in an ethereal and luminous surface quality caught in a liminal state of defining and dissolving. She often draws from music, literature, myth and nature to explore themes of eternity and temporality, meditating between the physical and metaphysical worlds. Allen will present a new body of work at Kasmin in May 2025, marking her third solo exhibition organized by the gallery, and her first in New York following solo museum shows at Huset for Kunst & Design, Holstebro, Denmark (2022-23); the Driehaus Museum, Chicago (2022) and Kunsthal Aarhus, Denmark (2021).

  • Lynne Drexler Contained Energy, 1979 oil on canvas 44 x 32 inches 111.8 x 81.3 cm A painting by Lynne...

    Lynne Drexler
    Contained Energy, 1979
    oil on canvas
    44 x 32 inches
    111.8 x 81.3 cm

    A painting by Lynne Drexler (1928–1999) represents a pivotal moment in the artist’s transition from pure abstraction to rendering scenes from Monhegan Island in Maine, where she spent significant time in the 1970s before settling permanently in 1983. Dense brushstrokes and swatches of color contain a vibrancy characteristic of Drexler’s unique painting style, alluding to the artist’s studies under Robert Motherwell and Hans Hofmann. 

  • Emil Sands Billabong, 2024 oil on linen 75 x 55 inches 190.5 x 139.7 cm A new painting by Emil...
    Emil Sands
    Billabong, 2024
    oil on linen
    75 x 55 inches
    190.5 x 139.7 cm
     

    A new painting by Emil Sands (b. 1998) will be displayed at the fair, following the artist’s debut exhibition with the gallery in New York in January. Set against a sandy shoreline, two figures gaze in opposing directions, each with their backs turned toward the viewer. The work characterizes Sands’ inquiry into the human body, combining deft brushwork and an intuitive use of color to construct narratives filled with sensitivity and pathos.

  • Sara Anstis Hull, 2024 pastel on paper 18 1/4 x 10 3/4 inches 46.2 x 27.2 cm A new pastel...
    Sara Anstis
    Hull, 2024
    pastel on paper
    18 1/4 x 10 3/4 inches
    46.2 x 27.2 cm
     
    A new pastel by Sara Anstis (b. 1991) exemplifies the artist’s celebrated ability to entwine human and natural forms in dream-like environments, seeing a group of figures find refuge in the petals of a budding flower. Anstis’s recent works have incorporated pregnant bodies, embryonic figures, and other fertile imagery in allegorical scenes that quote art historical imagery spanning the early modern period through the 20th century. Her tactile works on paper are executed in silken gradients of earthen hues, embedded deep into the surface of the paper and retaining the immediacy of the artist’s touch.
  • Alexis Ralaivao La lettre anonyme, 2024 oil on linen 29 1/2 x 51 1/8 inches 74.9 x 129.9 cm An...
    Alexis Ralaivao
    La lettre anonyme, 2024
    oil on linen
    29 1/2 x 51 1/8 inches
    74.9 x 129.9 cm
     
    An anonymous hand lifts a coffee cup over the landscape of a dining table in Alexis Ralaivao’s (b. 1991) new painting, forming a narrative tableau rendered in black and white. Ralaivao’s sensual and diaristic oil paintings find affective charge in everyday scenes, reinventing the tradition of genre painting for our contemporary age. His recent works take inspiration from the aesthetics of film noir, generating an atmosphere of mystery and intrigue surrounding the language of luxury and intrigue surrounding the language of luxury and its environs. Ralaivao’s second solo exhibition at Kasmin will further explore this aesthetic and opens in New York this May.
  • Lyn Liu (b. 1993) will present two new paintings at the fair, exploring the psychological experience of the uncanny. Seamlessly blending the familiar with the absurd, Liu’s paintings are populated with symbols that pulsate in a nihilist or existentialist vein. The artist conceives of her compositions as stills in an overarching yet dislocated narrative, taking a filmic approach to considerations of light, staging and costume. Liu’s solo exhibition at Casa Siza in Mexico City, organized by Kasmin, closes on March 28.

  • Lyn Liu Book eater, 2025 oil on linen 55 x 40 inches 139.7 x 101.6 cm
    Lyn Liu
    Book eater, 2025
    oil on linen
    55 x 40 inches
    139.7 x 101.6 cm
  • Lyn Liu Acupuncture, 2025 oil on panel 20 x 16 inches 50.8 x 40.6 cm
    Lyn Liu
    Acupuncture, 2025
    oil on panel
    20 x 16 inches
    50.8 x 40.6 cm
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