Through a rigorous painting process, Allen’s evocative imagery becomes ghostly. Allen paints in thin, meticulous layers of watercolor and oil on linen. Translucent coats of oil paint are applied and removed until the fabric itself shows the weather of its making. In this action, the artist’s process is a mediation between defining and dissolving the picture plane. Sources of illumination, like a candle or moon, play an important role in radiating light throughout the composition. Evanescent surfaces, polluted spectrums, and radiant jewel-toned blues animate the forces of darkness and light.

Allen’s motifs engage with a visual language of utopian and metaphysical ideals, resonant in the work of visionary poet and painter William Blake, the Pre-Raphaelite Brotherhood, early Symbolist painting, and the zeitgeist of 1960’s California. Her emblems stand in as markers of time, symbols of persistence, the uncontrollable, and the inward-looking.

Born 1985 in Los Angeles, CA, Allen received her MFA in Painting from the University of California. Allen’s first solo museum exhibition, Saturine, curated by Stephanie Cristello, was staged at the Kunsthal Aarhus in Denmark in 2021. Her first monograph was published on the occasion of the exhibition show. The following year, Allen’s first U.S. solo museum exhibition, A Tale of Today: Theodora Allen Saturnine, also curated by Stephanie Cristello, was on view at the Driehaus Museum in Chicago. In November 2022, the Huset for Kunst & Design in Holstebro, Denmark, opened a solo exhibition of Allen’s work entitled Gimlet Eye.