Stuart Davis
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BiographyBorn in Philadelphia, Pennsylvania, 1892
Died in New York, New York, 1964 -
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At the age of 21, Davis was invited to exhibit in the first exhibition of European avant-garde art in America, the 1913 Armory Show, alongside Marcel Duchamp, Fernand Léger, Henri Matisse and Pablo Picasso, as well as Marsden Hartley, Edward Hopper, Charles Sheeler, John Sloan and Joseph Stella. This moment marked a turning point in Davis’s career as he began to adapt a Cubist vocabulary to establish a distinctly American vernacular – a preoccupation that was further nurtured during his extended stay in Paris between 1928-29. While abroad, Davis harnessed an authentic and singular variant of Cubism that focused on redefining structure, form and the way in which line or color delineate space.
In the 1930s, Davis became increasingly compelled to tackle contemporary political and social issues. Davis’s activism led him to become Editor in Chief of the leftist publication Art Front, Chairman of the John Reed Club targeted towards Marxist writers, artists and intellectuals, as well as a muralist for the the Federal Art Project of the WPA. It is during this period that Davis was awarded numerous mural commissions including those for Radio City Music Hall, the New York World’s Fair and the Williamsburg Housing Project. Deeply committed to capturing the life of the times, Davis utilized these public platforms to advance his unwavering impulse to depict what he viewed as the quintessential American scene.
By 1950, Davis entered a new period of creativity. Revisiting themes of popular culture with which he engaged for many years, Davis realized some of his most complex, seminal paintings, such as The Mellow Pad (1945-51, Brooklyn Museum), Little Giant Still Life (1950, Whitney Museum of American Art, New York) and Fin (1962-64, Whitney Museum of American Art). In 1952 and 1954, Davis represented the United States at the Venice Biennale and received the Guggenheim International Award in 1958 and 1960. Davis’s legacy became cemented by the enduring influence of his work on the subsequent generation of artists including Andy Warhol, Keith Haring, David Hockney and Donald Judd.
Recent significant exhibitions include the 2016 critically acclaimed Stuart Davis: In Full Swing, which opened at the Whitney Museum of American Art in New York, NY, and traveled to the National Gallery of Art, Washington, D.C.; de Young Museum, San Francisco, CA and Crystal Bridges Museum of American Art, Bentonville, AR. Davis’s work has been exhibited worldwide and is held in the permanent collection of prominent institutions including the Museum of Modern Art, New York, NY; Metropolitan Museum of Art, New York, NY; Whitney Museum of American Art, New York, NY; Solomon R. Guggenheim Museum, New York, NY; Brooklyn Museum, New York, NY; National Gallery of Art, Washington, D.C.; Smithsonian American Art Museum, Washington, D.C.; Los Angeles County Museum of Art, CA; San Francisco Museum of Art, CA; Philadelphia Museum of Art, PA; Museo Thyssen-Bornemisza, Madrid; among many others.
Image: Stuart Davis, Untitled (Black and White Variation on "Pochade"), 1956-58, casein on canvas, 45 x 56 inches, 114.3 x 142.2 cm. © Estate of Stuart Davis/Licensed by VAGA, New York, NY.
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Works
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Exhibitions
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Stuart Davis in Havana
June 30 – August 13, 2021 297 Tenth Avenue, New YorkStuart Davis in Havana is an exhibition of ten evocative early watercolors painted in 1920 following Stuart Davis’ brief yet formative trip to Cuba, where the artist convalesced after contracting Spanish flu. Curated by Priscilla Vail Caldwell in collaboration with Earl Davis and the Estate of Stuart Davis, the exhibition also presents a trove of archival material documenting the artist’s trip including postcards, lottery tickets, and the painter’s passport.View More -
Stuart Davis: Lines Thicken
September 13 – December 18, 2018Kasmin Gallery is pleased to announce Lines Thicken: Stuart Davis in Black and White, an exhibition of black and white paintings and works on paper by Stuart Davis (1892 - 1964). The exhibition, curated by Priscilla Vail Caldwell in collaboration with the artist’s estate will be on view from September 13 at 293 Tenth Avenue. This is the Estate’s first solo exhibition with Kasmin who is now its exclusive worldwide representativeView More
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News
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Stuart Davis reviewed in The New Yorker
by Peter Schjeldahl December 17, 2018“Lines Thicken: Stuart Davis in Black and White,” at the Kasmin gallery (through Dec. 21), shares an open secret of the irrepressible American modernist: drawing...View More -
Stuart Davis reviewed in Artforum
by Rahel Aima November 1, 2018Blue jeans, jazz, 1930s America; sailors and signage in New York’s Times Square, the stench of fish rolling off the river, and the plaintive sound...View More -
Stuart Davis featured in The New York Times
by Hilarie M. Sheets May 24, 2018Stuart Davis, a leading American modernist who died in 1964, is best known for his boldly colorful paintings. They reduced consumer products and billboards into...View More -
Now Representing the Estate of Stuart Davis
May 23, 2018Paul Kasmin Gallery is pleased to announce worldwide representation of the estate of Stuart Davis (1892–1964), one of the preeminent figures of the early American...View More
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