Jan-Ole Schiemann: New Paintings
Past exhibition
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Jan-Ole Schiemann’s second solo exhibition at Kasmin will present new paintings and works on paper from April 27 – June 3, 2023 at the gallery’s flagship location, 509 West 27th Street, New York. Schiemann’s energetic constructions are characterized by boldly abstract figures, vivid cumulous color clouds, and an assertive, instinctive use of shape and line. The artist’s most recent compositions meld fragments and echoes from his former visual vocabulary with new devices that together push the language of gestural abstraction into new territories.
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"This gestalt produces something spectral—a liberated phantomic body. It is a ka that has been reduced to a semiotic roadmap of touch and sensation, a trail of bronchial hands made of exposed nerves." —Andrew Woolbright, The Brooklyn Rail
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"With graphite pencil and a floret of lime and lilac wildflowers, Jan-Ole Schiemann writes his name into the art history canon, rubs it out with the side of his hand, and stencils it back in roaring hyper-font." —Estelle Hoy
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Works
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About the Artist
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Explore
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Judith Bernstein: Public Fears
January 6 – February 15, 2025 509 West 27th Street, New YorkJudith Bernstein’s third solo exhibition at the gallery, Public Fears, will survey nearly 60 years of work—from 1966 to the present—underscoring the enduring urgency of Bernstein’s trailblazing artistry. Including new paintings, works on paper, and a restaging of her iconic Signature Piece (1986), this will be Bernstein’s first New York solo exhibition since the acquisition of her major charcoal screw drawing Horizontal (1973) by The Metropolitan Museum of Art in 2023. The exhibition anticipates the artist’s major museum retrospective at Kunsthaus Zurich in 2026. -
Emil Sands: Salt in the throat
January 9 – February 15, 2025 297 Tenth Avenue, New YorkFor his debut exhibition in Chelsea, Emil Sands explores shifting codes of human behavior and the influence of the surrounding world in a suite of new paintings. In the open air of a seascape or the shadows of a dense forest, Sands’ settings act as stage sets in which his cast of characters perform, reading one another's subtle gestures. As he exaggerates these figures and invites viewers to extrapolate on their relationships, Sands' considered brushwork and intuitive use of color combine to construct narratives filled with humor and pathos.
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