Bosco Sodi: Vers l'Espagne
Past exhibition
-
-
Kasmin is pleased to present an exhibition of new work by Bosco Sodi (b.1970, Mexico) on view from October 8–November 12, 2020 at 509 West 27th Street. Vers l’Espagne is Sodi’s second solo exhibition at the gallery. Its title translates as “To Spain” in homage to the lineage of artists who influenced his early development as a painter. Drawing upon the evolution of art history from prehistoric cave painting through to modern Spanish artists Eduardo Chillida, Manolo Millares, Joan Miró, Antoni Tàpies, and Informalismo Catalan, Vers l’Espagne is a love letter to gesture, nature, and the artistic instinct.
-
The exhibition brings together five large-scale paintings with freestanding clay sculptures in the gallery’s flagship exhibition space. Entirely white, the restricted palette of the paintings develops the powerful simplicity of the raw, elemental materials—clay, sawdust, and pigment—that create the dense surfaces of the artist’s richly textured, monochromatic paintings. Sodi mixes the materials and throws them down onto a flat canvas in a gesturally energetic process that draws upon both creative intuition and chance. As the layers of material dry, structures form without the guidance or intervention of the artist, creating splintered ravines that recall primordial topographies and the fissured landscapes of his native Mexico.
-
-
In this series, Sodi calls particularly upon the work of Joan Miró and his three paintings titled Peinture sur fond blanc pour la cellule d'un solitaire (painting on a white background for the cell of a recluse) which are housed at the Joan Miró Foundation, Barcelona, where Sodi lived and worked for a decade. The atmospheric qualities of the color create, according to Sodi, “a feeling of warmth, calmness, and repose.” On Miró’s works, Sodi has said, “The paintings are just a thin black line made in a single gesture on a huge white canvas. I always admired them: wondering how Miró, with one stroke, was capable of doing something so powerful and beautiful.”
-
-
“The first phase of the Vers l’Espagne project consisted of Bosco Sodi’s trip to Barcelona to see the Miró chapel again for himself. He had the authorization of those responsible at the foundation to remain alone in the room for two hours; some photographs show him in the room, going up to the paintings, becoming imbued with and pervaded by the spirit of their author, meditating on Mironian freedom.”
—Juan Manuel Bonet -
-
-
-
The exhibition coincides with the publication of a new career-spanning monograph published by Rizzoli in July 2020, as well as several off-site and institutional projects including an exhibition at featuring new black pigment paintings at CAC Málaga and a monumental sculpture Marble Muro at Casa Wabi, the artist’s foundation in Puerto Escondido, Oaxaca.
-
Works
-
About the Artist
-
Explore
-
Ian Davenport: Tides
October 30 – December 20, 2024 509 West 27th Street, New YorkIan Davenport’s latest works expand his series of poured acrylic paintings that spill across the gallery floor, employing the signature technique that defined the artist’s recent architectural interventions across Europe, namely in the Giardini at the 57th Venice Biennale (2017) and at the Chiostro del Bramante in Rome (2022-23). The exhibition also introduces metallic paint into Davenport’s artistic vocabulary, deepening the artist’s engagement with the colors and materials of Italian Renaissance painting. -
Elliott Puckette: Unfolding
October 30 – December 20, 2024 297 Tenth Avenue, New YorkThe artist's eleventh solo exhibition at the gallery features a suite of new paintings and bronze sculptures that expand upon the artist’s signature visual exploration of the line as a formal device to realize her atmospheric abstractions. -
Julie Hamisky: Transference
October 30 – November 23, 2024 514 West 28th Street, New YorkImmortalizing the most intricate details of the natural world, Julie Hamisky continues to garner international recognition for her rigorous electroplating technique that belies the ephemeral forces of nature. In freestanding sculptures, mirrors, chandeliers, and fine jewelry, Hamisky’s transformative approach to casting organic matter preserves fleeting moments in time.
-