Walton Ford: 25 Years of Printmaking: Online
-
-
To celebrate the 25th anniversary of Walton Ford's first editioned print, Swadeshi-cide (1998), Kasmin is releasing rarely-available copies of the original Limited Art Editions of Pancha Tantra, published by Taschen. This release is contextualized by an online exhibition of a selection of the artist's print works. Spanning the years 1998-2020, the presentation demonstrates Ford's impressive command of the historic technique of intaglio etching and recognizes the invaluable partnership of Peter and James Pettengill's Wingate Studio, where Ford produced each of the works.
-
-
Walton Ford’s editioned prints expand upon the artist’s mastery of narrative watercolor paintings. Utilizing time-honored copperplate etching techniques originally developed in the 15th century, Ford’s compositions come alive with irresistible anthropomorphic projections of wildlife. This online presentation takes viewers further into the artist’s incisive depictions of nature as informed by cultural and literary history. Loaded with metaphor and shaped by a keenly anthropological eye, Ford’s complex compositions observe both the insistence of human endeavor and the instinctive ingenuity of animals, observing the violence resulting from the will to survive.
-
-
Aquatint etching is a collaborative process that brings together artists with highly specialized skills – both Francisco Goya and John James Audubon were highly proficient in the medium. Many visual and philosophical references find expression in Ford’s work through his observation of nature, both human and animal, through a darkly comic lens.
Ford subverts various conventions relating to humanity’s attempts to categorize and interpret the natural world, drawing on naturalist sketches and dioramas, zoological records, mythology, fables, and art history. While alluding to the form of naturalist field studies from the 19th century, Ford’s coded poetics are wide-ranging in their references, calling upon the viewer to use these fragmented clues as a guide by which to untangle the folkloric, historical, or imaginary event depicted in the work.
-
-
"These are techniques that were developed in a time when,
if you wanted to write someone a letter, you dipped your quill in ink.” —Walton Ford -
Works
-
-
About the Artist
Portrait by Paul Kasmin. -
Explore
-
Robert Indiana:
February 27 – March 29, 2025 509 West 27th Street, New York
The Source, 1959–1969Kasmin presents Robert Indiana: The Source, 1959–1969, a focused survey of the transformative decade in which Indiana established his unique artistic language, achieving wide recognition and cementing his place as an icon of American art. Featuring 20 works drawn exclusively from the artist’s personal collection as endowed by Indiana to the Star of Hope Foundation, the exhibition includes an example from the artist’s first edition of LOVE sculptures, conceived in 1966 and executed between 1966—1968, and a vitrine display of archival materials including some of the artist’s journals. This exhibition marks Kasmin’s first collaboration with the Star of Hope Foundation, which was established by the artist in his lifetime, and the gallery’s eighth solo exhibition of work by Indiana since 2003. -
Pablo Dávila:
February 27 – March 29, 2025 297 Tenth Avenue, New York
Why Did You Take My Watch?The first solo exhibition of Mexico City-based artist Pablo Dávila (b. 1983), Why Did You Take My Watch? features new works that iterate Dávila’s research-based process in various media. Employing a visual language to encapsulate complex systems, theories and ideas, Dávila’s works offer poetic reflections on the perception of time and space.
-
