Les Lalanne: Zoophites: From the Collection of Caroline Hamisky Lalanne
Curated by Paul B. Franklin
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Photo by Jean-Philippe Lalanne.
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"'A cat has nine lives.' This one seems to be living them all at once—a cat, a bird, a horse, a she-wolf, a pig, a fish…"
—François-Xavier Lalanne -
François-Xavier LalanneGrand Rhinocéros V, 1994/2000bronze with black patina47 x 101 1/2 x 29 inches
119.4 x 257.8 x 73.7 cm -
Claude and François-Xavier in the studio with Rhinocéros I, Ury, c. 1965.
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"With prowess and tenacity, Claude and François-Xavier Lalanne charted an inimitable path in the history of art during their more than half a century of aesthetic engagement. Les Lalanne: Zoophites pays homage to their incontrovertible achievements as artists."
—Paul B. Franklin -
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Additional motifs included in the exhibition will be Claude’s signature use of the ginkgo leaf, as seen in Les Berces adossées (2015), a unique work recently exhibited at the Clark Art Institute. The ginkgo leaf entered Claude’s visual vocabulary in the mid 1990s, when an American couple—friends and collectors of Les Lalanne—brought her examples of the fanlike foliage gathered during a trip to Japan. Claude initially created jewelry based on the gingko leaf before integrating it on a larger scale into series of chairs, benches, and tables, which would be displayed in landmark exhibitions of her work in the ensuing decades.
Claude’s celebrated use of electroplated crocodile skin will also be featured in the exhibition. Soon after she was given a small stuffed crocodile by a staff member at the Jardin des plantes in Paris in 1972, she began creating furniture that showcased crocodiles. Molded from store-bought taxidermy, Claude’s singular electroplating process fused a copper coating on the forms before finishing them in bronze or aluminum. -
François-Xavier LalanneGrand Bouquetin, 1999/2016bronze and black patina39 3/4 x 54 1/4 x 11 inches
101 x 137.8 x 27.9 cm -
"Picture Claude’s hand at work, imagine a giant ginkgo forest tousled by a strong breeze, and then watch the falling leaves reassemble themselves into tables, chairs, benches."
—François-Xavier Lalanne -
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Though François-Xavier and Claude shared a home, occupied neighboring studios, and exhibited jointly, they seldom worked together. The exhibition will include a few of their rare collaborative creations, including Singe aux nénuphars (2008/2010), comprising a seated monkey designed by François-Xavier which supports a circular tabletop of Claude’s water lily leaves; Centaure (moyen) (1995/2008), featuring a human torso and arms by Claude and a horse’s body and legs by François-Xavier; and Le Merle perché (2006/2008), depicting a blackbird atop a vertical branch that elegantly captures the exuberance and zeal that define the few projects on which the artists worked collaboratively.
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Claude LalanneArabesque, 2018bronze61 1/2 x 166 x 2 1/2 inches
156.2 x 421.6 x 6.3 cm -
"Such an exceptional assemblage, including three rare collaborative pieces alongside several iconic masterworks, demonstrates the rich scope of their production in which meticulous artistry and artistic invention were indivisible."
—Paul B. Franklin -
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"Claude’s and François-Xavier’s vibrant universe of flora and fauna exposes, with brio and mirth, the utter arbitrariness, even the fatuity of the sacrosanct divisions that have circumscribed the fine and applied arts since the nineteenth century."
—Paul B. Franklin -
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Kasmin has organized over 10 solo exhibitions of Les Lalanne’s work since 2007, both at the gallery and at public venues across the United States, including the Kasmin Sculpture Garden, New York (2021); Getty Station, New York (2013); Fairchild Tropical Botanic Garden, Coral Gables, FL (2010–11) and Park Avenue, New York (2009).
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About the Artists
Photo by Jean-Philippe Lalanne -
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