Walton Ford: Watercolor Studies : Online
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On the occasion of Walton Ford’s concurrent solo exhibitions Lion of God in Venice, Italy and Birds and Beasts of the Studio in New York, this presentation offers an intimate look at the artist’s rarely-seen watercolor studies, uncovering Ford's working process, particularly the way he determines the color schemes and compositions of his monumental watercolor paintings. Staged exclusively online, Walton Ford: Watercolor Studies spotlights the preparatory sketches Ford made for his ongoing major site-specific exhibition Lion of God at the Ateneo Veneto in Venice.
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“These studies are gestural, loose and expressive. That’s where the animal lives. What I’m doing much later in the process is attempting to retain as much of that freshness as possible.”
—Walton Ford -
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“I can’t find my way into a giant watercolor until I’ve done something like this.”
—Walton Ford -
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“Walton both has connection to that tradition, but he also brings a completely modern sensibility and individual approach to this, because he’s looking at the complex role of climate change, of colonialism, and often brings satire and irony to bear on his subject matter.”
—Jennifer Tonkovich, Curator of Drawings and Prints at The Morgan Library & Museum -
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“Ford consistently questions a diverse range of expectations and established rules in contemporary aesthetics, creating a narrative about the arrogance of human nature—yesterday, today, and tomorrow…”
—Udo Kittelmann, Curator of Walton Ford: Lion of God -
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About the Artist
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Alma Allen
May 16 – June 22, 2024 509 West 27th Street, New YorkThe gallery’s third solo exhibition of work by Alma Allen (b. 1970) brings together new freestanding sculpture and wall reliefs. This body of work evolves various compositional and material directions explored in Allen’s recent site-specific solo exhibition Nunca Solo at Museo Anahuacalli in Mexico City, demonstrating the artist’s ongoing experimentation into the ability of matter to embody contemplations on free will, consciousness, and the nature of time. -
NARES TRACES
May 16 – June 22, 2024 297 Tenth Avenue, New YorkThe fifteenth solo exhibition at the gallery of work by multidisciplinary artist Jamie Nares (b. 1953) examines over 100 works on paper in a variety of media—namely oil, ink, and enamel—made after refocusing her artistic attention from film to painting in the early 1980s. Coolly perceptive, Nares’ works on paper share the same conceptual focus on movement, rhythm, and measurements of time that has driven the artist’s various bodies of work over the last fifty years. This exhibition points to paper as an essential instrument in Nares’ ongoing exploration of these themes.
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