Elliott Puckette: Unfolding

October 30 – December 20, 2024 297 Tenth Avenue, New York
  • Kasmin presents Elliott Puckette’s eleventh solo exhibition at the gallery. Unfolding features a suite of new paintings and bronze sculptures that expand upon the artist’s signature visual exploration of the line as a formal device to realize her atmospheric abstractions.

    A state of uncertainty characterizes Puckette’s newest paintings of bent lines suspended in their cautionary settings. With turbulent brushwork, Puckette’s inky backdrops encroach upon her lines which hover in perpetuity, as if eternally treading water. On each surface, Puckette layers a thin coat of gray or black ink over a wash of pink, to the effect that a warm blush shines from beneath. The results create distinctly stormy environments reminiscent of the scumbled skies of John Constable. 

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  • Elliott Puckette Unfolding, 2023 ink, gesso and kaolin on wood panel 30 x 60 inches 76.2 x 152.4 cm
    Elliott Puckette
    Unfolding, 2023
    ink, gesso and kaolin on wood panel
    30 x 60 inches
    76.2 x 152.4 cm
  • Elliott Puckette Roke, 2024 ink, gesso and kaolin on wood panel 58 3/4 x 84 inches 149.2 x 213.4 cm
    Elliott Puckette
    Roke, 2024
    ink, gesso and kaolin on wood panel
    58 3/4 x 84 inches
    149.2 x 213.4 cm
  • “There is a lyric calligraphic poetry to Elliott Puckette’s work.”
    —Maya Lin
  • Elliott Puckette Roddon, 2024 ink, gesso and kaolin on wood panel 36 x 96 inches 91.4 x 243.8 cm
    Elliott Puckette
    Roddon, 2024
    ink, gesso and kaolin on wood panel
    36 x 96 inches
    91.4 x 243.8 cm
  • Puckette’s compositions first find life as wire maquettes which the artist installs against her studio wall in a matter of minutes before disassembling. These ephemeral forms reflect the transient nature of the world, which the artist works to represent in two dimensions with a technique she has developed since the 1990s. Etching inlets with a razor blade into wood panels layered with gesso and washed with ink, Puckette delineates the state of emotional and physical flux that defines the human experience, which she describes as a recurring cycle of “looking, taking note, and looking again.” With a subtractive process evoking Old Master engraving techniques, Puckette observes the contours of her maquettes as a portraitist would study their sitter, capturing the bend of each curve in exacting detail.

  • Elliott Puckette Fizmer, 2024 ink, gesso and kaolin on wood panel 48 x 60 inches 121.9 x 152.4 cm
    Elliott Puckette
    Fizmer, 2024
    ink, gesso and kaolin on wood panel
    48 x 60 inches
    121.9 x 152.4 cm
  • Elliott Puckette Covering, 2024 ink, gesso and kaolin on wood panel 60 x 48 inches 152.4 x 121.9 cm
    Elliott Puckette
    Covering, 2024
    ink, gesso and kaolin on wood panel
    60 x 48 inches
    152.4 x 121.9 cm
  • Elliott Puckette Low-Anchored Cloud, 2024 ink, gesso and kaolin on wood panel 30 x 60 inches 76.2 x 152.4 cm
    Elliott Puckette
    Low-Anchored Cloud, 2024
    ink, gesso and kaolin on wood panel
    30 x 60 inches
    76.2 x 152.4 cm
  • Elliott Puckette Swift and Slow, 2024 bronze 23 1/8 x 48 x 12 3/4 inches 58.7 x 121.9 x 32.4...
    Elliott Puckette
    Swift and Slow, 2024
    bronze
    23 1/8 x 48 x 12 3/4 inches
    58.7 x 121.9 x 32.4 cm
  • Elliott Puckette Short Hour Unseen, 2024 bronze 21 1/2 x 24 x 18 3/8 inches 54.6 x 61 x 46.5...
    Elliott Puckette
    Short Hour Unseen, 2024
    bronze
    21 1/2 x 24 x 18 3/8 inches
    54.6 x 61 x 46.5 cm
  • Two new bronze sculptures will be featured, expanding Puckette’s foray into a medium she introduced to her practice in 2021. Inviting further immersion into the language, form, and logic of the line, Puckette’s sculptures complement the forms of her paintings in three dimensions. In memorializing her maquettes,  Puckette finds stasis among the ever-changing essence of the world. One of the new works is a wall-based sculpture that recalls the tools of the artist’s unique working process as much as the format for displaying the paintings themselves.

    “In Puckette’s scheme, line conquers all,” wrote the late curator David Anfam in 2023. Against dynamic fields of ink, Puckette’s twisting shapes deepen her career-spanning investigation of the power of the line through the lens of a world defined by change.

  • Elliott Puckette Plashless, 2024 ink, gesso and kaolin on wood panel 54 x 42 inches 137.2 x 106.7 cm
    Elliott Puckette
    Plashless, 2024
    ink, gesso and kaolin on wood panel
    54 x 42 inches
    137.2 x 106.7 cm
    • Elliott Puckette, Basin, 2024
      Elliott Puckette, Basin, 2024
    • Elliott Puckette, Hover, 2024
      Elliott Puckette, Hover, 2024
  • About the Artist

    Elliott Puckette
    Portrait by Charlie Rubin.

    Elliott Puckette

    The elegant simplicity of Puckette’s line belies its complex process. With brisk, confident gestures, the artist etches inlets into board washed with layers of gesso and ink. The colored washes create distinctive atmospheres in each work—brooding storm clouds of gray and tumultuous seas of dark purple. Puckette uses a razor blade to draw her arcs, carving out pathways instinctively with exquisite light touch. Later, she returns to deepen the furrows with cross-hatching—a labor-intensive process that inherently slows the line, subtracting it from the painting and delineating its negative space. 

    In recent bodies of work, Puckette has developed her use of line by first rendering it three dimensions, making ephemeral sculptures out of wire. By translating the form of the maquette, Puckette flattens, and thus further abstracts, the line. As such, the works capture a silhouette of their three-dimensional references, a fleeting snapshot of perspective. 

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