Pablo Dávila:
Why Did You Take My Watch?

February 27 – March 29, 2025 297 Tenth Avenue, New York
  • Kasmin presents the first New York solo exhibition of Mexico City-based artist Pablo Dávila (b. 1983), on view at 297 Tenth Avenue from February 27 through March 29, 2025. Pablo Dávila: Why Did You Take My Watch?features new works that iterate Dávila’s research-based process in various media. Employing a visual language to encapsulate complex systems, theories and ideas, Dávila’s works offer poetic reflections on the perception of time and space. 

    Pulling from the first line of Andrei Tarkovsky’s film Stalker (1979) for the exhibition title, Pablo Dávila: Why Did You Take My Watch? reflects Dávila’s interest in the construction of time and space through art. The film, recognized for its otherworldly setting, analogues Dávila’s capacity to collate distinct moments in the works on view. Inspired by the words of American Science fiction writer William Gibson, “Time moves in one direction, memory in another,” Dávila’s works consider the natural force of memory as a guide to explore the progression of time.

    Press Requests

  • Pablo Dávila Mural, 2025 iron studs 126 3/8 x 86 5/8 inches 321 x 220 cm
    Pablo Dávila
    Mural, 2025
    iron studs
    126 3/8 x 86 5/8 inches
    321 x 220 cm
  • Included in the exhibition are several new Phase paintings series (2019–ongoing), Dávila’s celebrated series of meticulously perforated canvases that translate weather data into striking patterns and abstract compositions. Culled from different geographic locations at various points in time, Dávila’s works document the unrepeatable, spontaneous conditions of wind activity in the earth’s atmosphere. Nearby, a ten-foot-tall site-specific mural, composed of thousands of iron studs hammered directly in the gallery wall, emerges from a similar conceptual approach to the Phase paintings
  • Pablo Dávila Phase paintings (Wind), 2025 perforated canvas 73 x 49 3/8 inches 185.4 x 125.3 cm
    Pablo Dávila
    Phase paintings (Wind), 2025
    perforated canvas
    73 x 49 3/8 inches
    185.4 x 125.3 cm
  • Pablo Dávila Phase paintings (Wind), 2025 perforated canvas 73 x 49 3/8 inches 185.4 x 125.3 cm
    Pablo Dávila
    Phase paintings (Wind), 2025
    perforated canvas
    73 x 49 3/8 inches
    185.4 x 125.3 cm
  • Pablo Dávila Phase paintings (Wind), 2025 perforated canvas 73 x 49 3/8 inches 185.4 x 125.3 cm
    Pablo Dávila
    Phase paintings (Wind), 2025
    perforated canvas
    73 x 49 3/8 inches
    185.4 x 125.3 cm
    • Pablo Dávila, Phase paintings (The natural flow of forgetting), 2025
      Pablo Dávila, Phase paintings (The natural flow of forgetting), 2025
    • Pablo Dávila, Phase paintings (The natural flow of forgetting), 2025
      Pablo Dávila, Phase paintings (The natural flow of forgetting), 2025
    • Pablo Dávila, Phase paintings (The natural flow of forgetting), 2025
      Pablo Dávila, Phase paintings (The natural flow of forgetting), 2025
  • Pablo Dávila Weather paintings, 2025 screen, computer variable dimensions, displayed on 65' Samsung The Frame Dávila’s new experimental Weather painting...
    Pablo Dávila
    Weather paintings, 2025
    screen, computer
    variable dimensions, displayed on 65" Samsung The Frame

    Dávila’s new experimental Weather painting conjures storm cloud formations by digitally collating wind activity data. Simulating an atmosphere that would produce thunder or form precipitation, Dávila creates unexpected textures and gradients across the screen. The work offers a digital interpretation of the natural world, blending imagery across time and space. 
  • Pablo Dávila 'A friendly reminder', 2025 records, speakers variable dimensions The audio installation “A friendly reminder” (2025) revisits themes of...
    Pablo Dávila
    "A friendly reminder", 2025
    records, speakers
    variable dimensions
     
    The audio installation A friendly reminder (2025) revisits themes of the loop and cultural memory, which Dávila explored in a related installation at the Aichi Triennale 2022 in Japan. Played across multiple analog speakers, Dávila stitches together 2-second segments of the popular Mexican bolero song El Reloj, covered countless times since its first release in 1957. Overlaying recordings by different artists, each segment plays the phrase “Reloj, no marques las horas” (Clock, don’t mark the time) at slightly varying intervals. 
  • Pablo Dávila A seemingly simple request, 2025 obsidian, in two parts 17 3/4 x 17 3/4 inches, each 45 x...
    Pablo Dávila
    A seemingly simple request, 2025
    obsidian, in two parts
    17 3/4 x 17 3/4 inches, each
    45 x 45 cm

    Inspired by physicist Lee Smolin’s Writings on the principle of the identity of the indiscernibles, A seemingly simple request presents two spherical sculptures sourced from the same rock of obsidian. Despite their common origin and near-perfect symmetry, each work is unique as two objects occupying different physical spaces can never actually be identical, just as two moments in time cannot be identical. The universe is then greatly shaped by the seemingly simple request that it not contain two identical objects. 
  • About Pablo Dávila
    Pablo Dávila (b. 1983, Mexico City) explores the perception of time and space with his singular multidisciplinary practice. Drawing on a minimalist approach, his work is shaped by influences from science, music, poetry, cognitive science, and physical phenomena, exploring themes of perception, the transience of time, and historical interpretation. He has exhibited at the Museo Tamayo, Mexico City; the Aichi Triennial, Aichi Museum of Art, Japan; Museum of History in Geneva, Switzerland; Museum of Contemporary Art, Monterrey; OMR, Mexico City; Kasmin, New York; The Pill, Istanbul and Paris; José García, Mexico City and Mérida. Pablo Dávila lives and works in Mexico City.
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