Mark Ryden: Yakalina 9: In collaboration with Perrotin, Tokyo
-
-
Kasmin and Perrotin are delighted to announce a jointly organized exhibition of new works by American artist Mark Ryden (b. 1963, United States). Yakalina 9 will be presented in Perrotin's Tokyo gallery from April 1-May 30, 2022. Encompassing the newly created series of bronze sculptures and drawings of the mysterious entity Yakalina, the exhibition is conceived as a component of the artist's upcoming exhibition, Animal Secrets, opening at Perrotin Paris in May.
-
-
Mark Ryden's imaginative artistic play manifests itself through layers of meanings and connotations. The artist's creation is an ode to craftsmanship and refined materiality, from exquisite pictorial imagery to lavishly decorated frames. At the same time, the artist probes into the invisible and secret order of the universe and interprets the life of things that are filled with spiritual essence. Exploring the symbolic significance of elements that inhabit his metaphorical landscapes, Ryden's work evokes the feeling of awe of the mysterious, sometimes uncanny world.
-
-
Yakalina 9 features sculptures and drawings of the mysterious animal recently created by Ryden. Yakalina has a long conical body covered with fur apart from the face, whose appearance is both lovely and eerie. This type of long-lasting iconography tradition goes back to the Bronze Age's imagery and refers to a human or a deity's figure with outstretched arms symbolizing worshiping and piety. Adopted by early Christians, the orans posture keeps appearing in classical religious art: from the prayer figures in Roman catacomb frescoes to the depiction of the Virgin Mary as Our Lady of the Sign in the icons and mosaics of Byzantine art. The simple yet powerful image transcends the boundaries of physical form to represent sublime matter. Ryden rethinks this iconography of worship within his artistic imagery by connecting it to Anima Animals, a recurring subject in Ryden's artistic practice. As threshold figures, they guide a viewer through the field of the unknown, inducing the spirit of creativity to rediscover one's connection with nature and the divine. Ryden believes that “if you ask for your animal spirit, it will come to you. Close your eyes, look inward, and ask your animal guide to come, then keep your eyes open for a visitation.”
-
-
Exhibited alongside Ryden’s sculptures, are his drawings of Yakalina, which have visual similarities with the old alchemy manuscripts. Intellectual play with symbols, alchemy emblems, structures, and numbers in the works denotes a hidden order inaccessible to the uninitiated. As a hermetic text, the artist's oeuvre is obscure. The very moment of contemplation of artistic endeavor, that does not necessarily have to be fully decoded, awakens the feeling of utter wonder when one encounters the intangible reality manifested in physical form.
Throughout humanity's history, the philosophical discourse on the dichotomy between physical and spiritual, tangible and ethereal, visible and invisible, has constantly been reemerging. Yet, preoccupied with the extensive materiality of today's mass culture, our generation primarily believes in scientific and technological achievements. The essential question remains on a personal level: how can we perceive something that belongs to the field of the unknown and intangible? Perception of the unknown may require another way of seeing, not rational but rather imaginative. Thus, reminded of spiritual presence in the contemporary context, let Yakalina keep her secrets.
-
-
"If your eyes are open, you can see the face of the divine wherever you look." —Mark Ryden
-
Works
-
-
About the Artist
Portrait by Christopher French. -
Explore
-
Ian Davenport: Tides
October 30 – December 20, 2024 509 West 27th Street, New YorkIan Davenport’s latest works expand his series of poured acrylic paintings that spill across the gallery floor, employing the signature technique that defined the artist’s recent architectural interventions across Europe, namely in the Giardini at the 57th Venice Biennale (2017) and at the Chiostro del Bramante in Rome (2022-23). The exhibition also introduces metallic paint into Davenport’s artistic vocabulary, deepening the artist’s engagement with the colors and materials of Italian Renaissance painting. -
Elliott Puckette: Unfolding
October 30 – December 20, 2024 297 Tenth Avenue, New YorkThe artist's eleventh solo exhibition at the gallery features a suite of new paintings and bronze sculptures that expand upon the artist’s signature visual exploration of the line as a formal device to realize her atmospheric abstractions. -
Julie Hamisky: Transference
October 30 – November 23, 2024 514 West 28th Street, New YorkImmortalizing the most intricate details of the natural world, Julie Hamisky continues to garner international recognition for her rigorous electroplating technique that belies the ephemeral forces of nature. In freestanding sculptures, mirrors, chandeliers, and fine jewelry, Hamisky’s transformative approach to casting organic matter preserves fleeting moments in time.
-
