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Ali Banisadr in Cultured
In conversation with Author Orhan Pamuk November 27, 2024 View More -
Elliott Puckette: Unfolding reviewed in The Brooklyn Rail
by Ekin Erkan November 2024 Elliott Puckette’s eleventh solo exhibition at Kasmin Gallery, Unfolding, includes two bronze sculptures and eight ink, gesso, and kaolin on wood panel paintings. The latter’s gessoed grounds and ink base layers are applied in marbled monochromatic washes of swirling aniline grey and grisaille silver. Where these iron clouds break, uneven crepuscular cleaves of dusted alabaster light splinter through like lightning. Each work is marked by white razor blade arcs—Puckette’s signature lines. The gyrations of these serpentine, lineal furrows are first etched and then deepened with cross-hatching as Puckette further subtracts the line from the wood panel, the recesses making negative space material. View More -
Alma Allen in Art Basel Magazine
by Jacoba Urist November 5, 2024 View More
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Matvey Levenstein: Zone reviewed in Artforum
by Barry Schwabsky November 1, 2024 View More -
Nengi Omuku featured in Hyperallergic
by Natalie Weis October 3, 2024 Aso oke, a handwoven cloth that originated with the Yoruba people in Western Africa, finds its most luxurious form in the sanyan style, which is composed of indigenous wild silk and cotton threads and used in traditional garments for special occasions. After receiving an MA from the Slade School of Fine Art in 2012, Nengi Omuku returned home to Nigeria where she recognized the revered fabric as an opportunity to integrate her cultural heritage into her artistic practice. While she began by sourcing vintage sanyan dress sets and meticulously deconstructing and restitching the garments into flat canvases, she now has the cloth made by a Nigerian collective. Omuku’s oil paintings are lush and impressionistic, situating figures within flattened, Fauvist vegetation or against dramatic cloudscapes. Her palette is bright and pleasing (often cued by the colored threads running through the vintage fabric) and softened by her light brushwork — hazy dreamscapes of harmonious coexistence. —Natalie Weis View More -
A New Pair of Glasses in The Brooklyn Rail
by Ali Banisadr October 2, 2024 View More
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Matvey Levenstein: Zone in The Brooklyn Rail
by Alex Grimley October 2, 2024 Matvey Levenstein’s paintings depart in a similar manner. Distance is a primary characteristic of his art, but it is not the distance of irony or detachment. It is, rather, that of memory, of nostalgia, realized in painterly terms. Though the small scale of these works draws us closer, the surface and scene seem to dissolve rather than gain in definition as one approaches. The soft edges of mist shrouded trees and distant telephone poles blur with proximity, like the paint surface itself, which reveals little of the artist’s brushwork. View More -
The Art Newspaper: Kasmin to represent Jackson Pollock's work worldwide, next to Lee Krasner
by Hilarie M. Sheets September 27, 2024 Kasmin to represent Jackson Pollock’s work worldwide, next to Lee Krasner The gallery’s partnership with the Pollock-Krasner Foundation expands eight years after it began View More -
Encyclopedia: The Late Collages of Dorothea Tanning featured in Hyperallergic
by Natalie Weis September 25, 2024 Encyclopedia: The Late Collages of Dorothea Tanning brings together 19 collaged works, most of which date from the late 1980s. Tanning had already published the first of her two memoirs and was increasingly turning to literary pursuits. The collages, with their scraps of fabric, tissue, paper, watercolor, and ink, can give the sense that the artist picked up past works’ detritus from her studio floor and decided she might as well make art out of it. Largely abstract, with a few figurative elements (the artist’s hands, cats’ paws, a faucet, a bicycle), the pieces serve to ignite viewers’ imaginations and encourage them to fashion their own interpretations. View More
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Tina Barney: Family Ties featured in The New York Times
by Jane Levere September 25, 2024 This fall, the Jeu de Paume, France’s national photography museum, is honoring the American photographer Tina Barney, a chronicler of social mores both in the United States and overseas, with her largest European retrospective to date. View More -
Tina Barney: Family Ties featured in Cultured
by Mara Veitch September 23, 2024 View More -
A Milestone Year For Trailblazing Artist Bernar Venet in Forbes
by Y-Jean Mun-Delsalle September 21, 2024 A Milestone Year For Trailblazing Artist Bernar Venet In 2024, acclaimed French artist Bernar Venet celebrates both his remarkable 65-year career and the 10th anniversary of the Venet Foundation, a cultural landmark in Le Muy in southeastern France dedicated to his towering sculptures and contemporary art collection. View More
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Tina Barney interviewed in W Magazine
by Kat Herriman September 20, 2024 Tina Barney on Her Paris Exhibition, Family & the Importance of Fashion — The 78-year-old photographer has spent a lifetime behind the lens—but don’t call her latest show a retrospective. View More -
Nengi Omuku: Wild Things and Perennials reviewed in Cultured
by John Vincler September 11, 2024 The Nigerian artist, in her New York solo debut at Kasmin Gallery, proves herself an expert at painting scenes of groups and crowds in surreally imagined spaces of clouds, fields of flowers, and seascapes. View More -
vanessa german featured in The New York Times
by Aruna D’Souza August 10, 2024 View More
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Bernar Venet at the Paris Olympics featured in Artsy
August 8, 2024 View More -
Nengi Omuku featured in Frieze
by Emily Steer August 6, 2024 View More -
Bosco Sodi's Casa Siza featured in the Wall Street Journal
by Sarah Medford July 18, 2024 View More
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Julia Isídrez: Mundo de Julia reviewed in Frieze
by Mariana Fernández July 4, 2024 View More -
vanessa german interviewed in Colossal
by Grace Ebert July 2, 2024 View More -
Ali Banisadr x Huma Bhabha for Elephant
June 1, 2024 Ali Banisadr x Huma Bhabha: “I wonder about how to put a fragmented world back together”
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NARES TRACES featured in The New York Times
by Max Lakin May 30, 2024 View More -
Jamie Nares interviewed for Screen Slate
by Alexandra Coburn May 22, 2024 View More -
Ali Banisadr for Louisiana Channel
May 21, 2024 View More
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vanessa german on Good Morning America
May 21, 2024 View More -
TEFAF New York's energetic opening brings cautious optimism to the trade
by Tim Schneider May 10, 2024 View More -
Les Lalanne featured in Artnet News
by Devorah Lauter April 10, 2024 View More
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Naama Tsabar featured in ArtReview
by Cassie Packard April 9, 2024 View More -
Lee Krasner: The Edge of Color featured in Vogue
by Grace Edquist March 1, 2024 View More -
Leonor Fini featured in Artnet News
by Adnan Qiblawi March 1, 2024 View More
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vanessa german profiled in Artnet News
by Annikka Olsen February 28, 2024 View More -
Women, Bronze, and Dangerous Things reviewed in Frieze
by Rebecca Rose Cuomo January 5, 2024 View More -
Lee Krasner featured in the Financial Times
by Melanie Gerlis November 24, 2023 View More
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Diana Al-Hadid: Women, Bronze, and Dangerous Things reviewed in Artsy
by Rawaa Talass November 16, 2023 View More -
Kasmin's Sculpture Garden featured in the New York Post
November 15, 2023 View More -
Les Lalanne in The Art Newspaper
by Carlie Porterfield November 13, 2023 Buyers are flocking to nature-inspired works by the French artists François-Xavier and Claude Lalanne. View More
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"A Chelsea Gallery’s Secret Beekeeping Operation" in Hyperallergic
by Elaine Velie November 12, 2023 View More -
Diana Al-Hadid profiled in Vogue
By Grace Edquist November 10, 2023 View More -
Nengi Omuku featured in Galerie
October 31, 2023 View More
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Diana Al-Hadid featured in Upstate Diary
by Sophia Herring October 30, 2023 View More -
Robert Motherwell: Pure Painting featured in The New York Times
by Rebecca Schmid October 3, 2023 View More -
Nengi Omuku featured in Artnet News
by Annikka Olsen September 29, 2023 View More
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Diana Al-Hadid interviewed in Artnet News
by Katy Diamond Hamer September 18, 2023 View More -
Robert Motherwell: Pure Painting reviewed in Brooklyn Rail
by Phong H. Bui September 1, 2023 View More -
vanessa german interviewed in The Slowdown
by Spencer Bailey August 17, 2023 View More
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Diana Al-Hadid featured in Galerie Magazine
by Hilarie Sheets August 11, 2023 View More -
Kasmin After Kasmin: How a Gallery Moves On After Losing Its Founder
by Daniel Cassady June 2, 2023 View More -
Ali Banisadr in Grand Journal
In conversation with Ottessa Moshfegh May 24, 2023 View More
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Jan-Ole Schiemann reviewed in Brooklyn Rail
by Andrew Woolbright May 24, 2023 View More -
Daniel Gordon reviewed in The New Yorker
by Johanna Fateman May 12, 2023 View More -
Judith Bernstein interviewed in Cultured Magazine
by Cultured Staff May 12, 2023 View More
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Leonor Fini reviewed in Artfourm
by Cassie Packard May 1, 2023 View More -
Jamie Nares interviewed in T Magazine
by Julia Halperin April 20, 2023 View More -
Robert Polidori featured in Galerie Magazine
by Jill Sieracki April 14, 2023 View More
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Jane Frelilicher featured in The New York Times
by Max Lakin April 5, 2023 Jane Freilicher’s paintings of the late 1950s are technically abstractions, though like those of many of her second-generation Abstract Expressionist... View More -
Tina Barney interviewed on Time Sensitive
by Spencer Bailey April 5, 2023 View More -
Jane Freilicher reviewed in Brooklyn Rail
by Alfred Mac Adam April 1, 2023 View More
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Bosco Sodi's new Mexico City studio featured in Wallpaper*
by Juliana Piskorz March 31, 2023 View More -
Tina Barney featured in The New Yorker
by Vince Aletti March 18, 2023 View More -
Tina Barney reviewed in Cultured Magazine
by Kat Herriman March 3, 2023 View More
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Tina Barney: The Photographer's Origin Story
by Hilarie Sheets February 24, 2023 With a show at Kasmin and a new book of rediscovered photographs, both called “The Beginning,” the ethnographer of the... View More -
Alexander Harrison reviewed in Artsy
by Jewels Dodson February 16, 2023 View More -
Leonor Fini reviewed in The New York Times
by Martha Schwendener February 1, 2023 View More
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Bernar Venet reviewed in Forbes
by Natasha Gural November 30, 2022 View More -
JB Blunk reviewed in Cultured Magazine
by Sophie Lee November 10, 2022 View More -
vanessa german featured in Cultured Magazine
by Camille Bacon May 2, 2022 The spiritual force of artist vanessa german’s “Power Figures” refuses to be articulated. Ahead of german’s solo New York presentation... View More
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Bosco Sodi's Assembly featured in The New York Times
by Laura Van Straaten April 26, 2022 View More -
Jamie Nares featured in T Magazine
by M.H. Miller April 21, 2022 View More -
Dorothea Tanning reviewed in Forbes
by Natasha Gural March 11, 2022 View More
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Dorothea Tanning reviewed in The Art Newspaper
by Daniel Cassady March 8, 2022 View More -
Dissolving Realms reviewed in The New York Times
by John Vincler January 13, 2022 View More -
Elliott Hundley interviewed in BOMB Magazine
by Osman Can Yerebakan October 11, 2021 View More
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Ali Banisadr: These Specks of Dust reviewed in the Brooklyn Rail
by Jessica Holmes June 1, 2021 View More -
Ali Banisadr interviewed for ARTnews
by Francesca Aton May 28, 2021 View More -
Ali Banisadr: These Specks of Dust reviewed in Galerie Magazine
by Lucy Rees May 21, 2021 View More
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Ali Banisadr reviewed in Artforum
by Cathryn Drake April 1, 2021 The seventeen paintings and prints in Ali Banisadr’s exhibition “Ultramarinus: Beyond the Sea,” curated by Polina Kosmadaki, swarmed with inchoate... View More -
Ali Banisadr featured in The Art Newspaper' A Brush With...
Hosted by Ben Luke March 31, 2021 View More -
Bosco Sodi reviewed in Art in America
by Lilly Wei March 2, 2021 View More
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Ali Banisadr interviewed in BOMB Magazine
by Osman Can Yerebakan January 28, 2021 When Brooklyn-based painter Ali Banisadr visited the Benaki Museum in Greece last year, he came across a blue-and-white Ming Dynasty–era... View More -
Between the Earth and Sky reviewed in The New York Times
by Deborah Soloman January 28, 2021 View More
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