Documenting the large-scale collaborative performances associated with Naama Tsabar's 2021-22 solo exhibition, Perimeters, at The Bass Museum of Art, Miami Beach, this unique vinyl and exhibition catalogue from the institution includes essays by curators Leilani Lynch (Associate Curator, The Museum of Contemporary Art Denver) and Nat Trotman (Curator, Performance and Media, at the Solomon R. Guggenheim Museum, New York.)
Tsabar works at the intersection of architecture, music, sculpture and performance, and as part of the exhibition, transformed The Bass into a playable instrument activated by sound holes, instrument parts and microphones. By collaborating with local communities of female-identifying and gender non-conforming performers, Tsabar contributes to feminist and queer discourses through movement, sound and space.
Naama Tsabar (b. 1982, Israel) lives and works in New York City. She received her MFA from Columbia University in 2010. Solo exhibitions and performances have been presented at the Solomon R. Guggenheim Museum (New York), Museum of Art and Design (New York), The High Line Art (New York), Nasher Museum (North Carolina), Kunsthaus Baselland (Basel, Switzerland), Palais De Tokyo (Paris, France), Prospect New Orleans (NOLA), Tel Aviv Museum of Art (Israel), The Herzliya Museum for Contemporary Art (Israel), MARTE-C (El Salvador), CCA Tel Aviv (Israel), Faena Buenos Aires (Argentina), Frieze Projects New York, Kasmin Gallery (New York), Dvir Gallery (Israel and Brussels), Spinello Projects (Miami) Shulamit Nazarian (Los Angeles).
